Pesquisando por: "MICHAEL WOLGEMUT" - Fotoarena - Agência de fotojornalismo

alb4157126 Michael Wolgemut (Nuremberg, 1434/37-1519). Portrait of Levinus Memminger (ca. 1485). Oil on panel. 33.7 x 22.9 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

alb10892790 History of France. Carpenter's apprentice. "Compagnons du Devoir" or "La Grande Cognée". Facsimile of a drawing by Wohlgemüth (Michael Wolgemut), for the "Nuremberg Chronicle", 1493. Later colouration. "Moeurs, usages et costumes au moyen-âge et à l'époque de la Renaissance", by Paul Lacroix. Paris, 1878.

alb10892102 Dancers on Christmas Night punished for their impiety and condemned to dance for a whole year. 15th-century legend. Facsimile of an engraving by Wohlgemuth in "Liber Chronicarum Mundi", Nuremberg, 1493. "Moeurs, usages et costumes au moyen-âge et à l'époque de la Renaissance", by Paul Lacroix. Paris, 1878.

alb10080836 History of France. Carpenter's apprentice. "Compagnons du Devoir" or "La Grande Cognée". Facsimile of a drawing by Wohlgemüth (Michael Wolgemut), for the "Nuremberg Chronicle", 1493. "Moeurs, usages et costumes au moyen-âge et à l'époque de la Renaissance", by Paul Lacroix. Paris, 1878.

alb4151276 The Martyrdom of Saint Simon of Trent from Schedel Weltchronik (Schedel's World History), Plate 23 from Woodcuts from Books of the 15th Century. Michel Wolgemut (German, 1434/37-1519) and Wilhelm Pleydenwurff (German, c. 1460-1494); printed and published by Anton Koberger (German, c. 1440/45-1513); original text by Hartmann Schedel (German, 1440-1514); portfolio text by Wilhelm Ludwig Schreiber (German, 1855-1932). Date: 1493. Dimensions: 194 x 226 mm (image); 424 x 295 mm (sheet). Woodcut and letterpress in black (recto and verso) on buff laid paper, tipped onto cream wove paper mat. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA. Author: Michel Wolgemut.

akg3778519 Michael, Wolgemut (formerly spelt Wohlgemuth), 1434 - 1519, German painter and printmaker. "Dance of death". Woodcut, coloured, 41 x 28 cm. From: Nuremberg Chronicle (Hartmann Schedel, Liber chronicarum (Weltchronik), Nuremberg (A.Koberger) 1493. Inv. no. E 0711. Graphiksammlung "Mensch und Tod", Heinrich-Heine-Institut, Düsseldorf, Germany. Museum: Düsseldorf, Heinrich-Heine-Institut.

alb9907971 The Reign of Antichrist. Engraving after Michael Wolgemuth's original in "Liber Chronicarum", 1493. Sciences & Lettres au Moyen Age et à l'époque de la Renaissance. Paris, 1877. Author: Michael Wolgemut (14341519). German painter and printmaker.

akg408364 Zwickau (Saxony, Germany), Marienkirche. The six-winged altarpiece, circa 1479) by the Nuremberg master Michael Wolgemut. Photo (Florian Monheim), 1997.

akg8950065 Krönung Mariä, am Hochaltar (1503), Wekstatt Michael Wolgemut, in der Evangelischen Stadtkirche St. Johannes und St. Martin, Schwabach, 50er Jahre.

akg8950069 Gottvater, aus: Krönung Mariä, Wekstatt Michael Wolgemut, gotischer Hochaltar (1503) in der Evangelischen Stadtkirche St. Johannes und St. Martin, Schwabach.

alb9873987 Michael Wolgemut, or Michael Wohlgemuth, German painter and printmaker, 1434-1519. Ran a workshop in Nuremberg, tutor of Albrecht Durer. Michael Wolgemuth Norib. Copperplate engraving by Philipp Kilian after an illustration by Joachim von Sandrart from his LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

alb9874865 German executioner holding up the head of a victim to a crowd after a beheading, 16th century. He wears a turban, red slashed doublet and hose, cracow shoes. After Michael Wolgemut and Albrecht Durer. Bourreau, Allemagne, XVIe siecle. Apres Wolgemuth et A. Durer. Chromolithograph by Ferdinand Sere and Auguste Racinet from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.

akg7383970 Michael Wolgemut; 1434/37-1519, and. Pleydenwurff, Wilhelm; around 1460-1494. "Jerusalem (Hierosolima)", 1493. Woodcut, coloured, 19.7 × 23.0 cm. From: Hartmann Schedel, Liber chronicarum (world chronicle), Nuremberg (Anton Koberger) 1493, fol. 17r. Inv.no. H 2050, Kapsel 1a; Nuremberg, German National Museum.

akg363367 Venice - Venezia (Italy). "VENECIE". (View of Venice). Woodcut by M.Wolgemut and W. Pleydenwurff. From: Hartmann Schedel, Liber chronicarum (World Chronicles), Nuremberg (A.Koberger) 1493. IC. 7452, Pl. LXIII. London, British Library. Museum: London, British Library. Copyright: Additional permissions needed for non-editorial use.

akg3930183 Religion / Christianity. Nuremberg, 1493, Michael Wolgemut (formerly spelt Wohlgemuth, 1434-1519 und Wilhelm Pleydenwurff (1460-1494). The Temple of Solomon - family tree of the priests of Israel, family tree of the Kings of Israel and the prophets Achias, Semeias and Abdo. Print and woodcut, partially coloured. From: Hartmann Schedel, Liber chronicarum (Nuremberg Chronicle or Schedel'sche Weltchronik), Nuremberg (Anton Koberger) 1493. Private collection. Museum: PRIVATE COLLECTION.

akg3923623 Religion / Christianity. Nuremberg, 1493, Michael Wolgemut (formerly spelt Wohlgemuth 1434-1519 and Wilhelm Pleydenwurff (1460-1494). Celestial events and freaks. Woodcut, coloured, 13.7 x 13 cm. From: Nuremberg Chronicle (Hartmann Schedel, Liber chronicarum (Schedel'sche Weltchronik), Nuremberg (Anton Koberger) 1493. Private collection. Museum: PRIVATE COLLECTION.

akg3923650 Nuremberg Chronicle:. Illustrated biblical world history that follows the story of human history related in the Bible, includes the histories of a number of important Western cities. Written in Latin by Hartmann Schedel, with a version in German, translation by Georg Alt, published in 1493. The Temple of Solomon, priests of Israel, Kings of Israel and the prophets Achias, Semeias and Abdo. Woodcut by Michael Wolgemut (formerly spelt Wohlgemuth, 1434-1519) and Wilhelm Pleydenwurff (1460-1494). From: Nuremberg Chronicle (Hartmann Schedel, Liber chronicarum (Schedel'sche Weltchronik), Nürnberg (Anton Koberger) 1493, folio 48 recto. Private collection. Museum: PRIVATE COLLECTION.

akg3920685 Religion / Christianity. Nuremberg, 1491, Michael Wolgemut (formerly spelt Wolhgemuth, 1434-1519 und Wilhelm Pleydenwurff (1460-1494). Didactic Mnemonic hand. Woodcut, coloured, 25.2 x 17.8 cm. From: Stephan Fridolin (c.1430-1498, Franciscan monk): Der Schatzbehalter oder Schrein der wahren Reichtümer des Heils und wahren Seligkeit, Nuremberg (Anton Koberger) 8th November 1491. ETH Graphische Sammlung, Zurich, Switzerland. Museum: Zurich, ETH, Graphische Sammlung.

akg4744366 Babylonien / Chaldäerreich 626-539 v. Chr. Zerstörung Babylons nach der Eroberung durch den persischen König Kyros II., den Großen, 539 v. Chr. "Babilon". Holzschnitt, koloriert (nach Zeichnung von Michael Wolgemut und Wilhelm Pleydenwurf). Blattgröße ca. 32,5 × 23,5 cm; Bildgröße 10,8 × 16,8 cm. Aus: Hartmann Schedel, Liber chronicarum (Weltchronik), Nürnberg (Anton Koberger) 1493. Privatsammlung. Museum: PRIVATE COLLECTION. Author: MICHAEL WOLGEMUT. Wilhelm Pleydenwurff.

akg251454 Venice - Venezia (Italy). "VENECIE". (View of Venice). Woodcut by M.Wolgemut and W. Pleydenwurff. Fr.: Hartmann Schedel, Liber chronicarum (World Chronicle) Nuremberg (A. Koberger), 1493.

akg142188 Wolgemut, Michael (formerly spelt Wohlgemuth), 1434 - 1519), German painter and printmaker. The raising of Lazarus. Woodcut. Folio 44 from: Schatzbehalter oder schrein der waren reichtümer des heils (...), Nuremberg (Anton Koberger) 1491.

akg4302750 Wolgemut, Michael (studio) 1434-1519. "Christ with his disciples on the stormy lake of Genessaret". Woodcut from: Schatzbehalter, Nuremberg, Anton Koberger, 1491. Later colouring.

akg8706280 Michael Wolgemut, 1434-1519. Workshop (painter of the Harsdorff retable?). "The Last Judgment", ca. 1485/1500. (With inscription "Ego iusticias - iudicabo" / I will judge righteously). From the council chamber of the Nuremberg town hall. Painting and metal plating on fir wood, 107.6 × 196 cm. Art collections of the city of Nuremberg, Inv. No. GM. Nuremberg, German National Museum.

akg312920 Wolgemut, Michael. 1434-1519. German painter and printmaker. The Crucifixion. Pen and ink drawing. Budapest, Museum of Prints and Drawings. Museum: Budapest, Museum of Prints and Drawings.

akg239045 Wolgemut, Michael (formerly spelt Wohlgemuth), 1434 - 1519), German painter and printmaker. St Peter's distress at sea. Woodcut. Folio 49 from: Schatzbehalter oder schrein der waren reichtümer des heils (...), Nuremberg (Anton Koberger) 1491.

akg3920665 Religion / Christianity. Nuremberg 1491, Michael Wolgemut (formerly spelt Wohlgemuth) 1434-1519 and Wilhelm Pleydenwurff (1460-1494). Crucifixion. Woodcut, coloured, 25.5 x 17.8 cm. From: Stephan Fridolin (c.1430-1498, Franciscan monk): Der Schatzbehalter oder Schrein der wahren Reichtümer des Heils und wahren Seligkeit, Nuremberg (Anton Koberger) 8th November 1491. Private collection. Museum: PRIVATE COLLECTION.

akg3920666 Religion / Christianity. Nuremberg 1491, Michael Wolgemut (formerly spelt Wohlgemuth), 1434-1519 and Wilhelm Pleydenwurff (1460-1494). Christ on the Mount of Olives. Woodcut, coloured, 25.4 x 17.7 cm. From: Stephan Fridolin (c.1430-1498, Franciscan monk): Der Schatzbehalter oder Schrein der wahren Reichtümer des Heils und wahren Seligkeit, Nuremberg (Anton Koberger) 8th November 1491. Private collection. Museum: PRIVATE COLLECTION. Author: ANONYMOUS.

akg1003121 Wolgemut, Michael 1434-1519 zugeschrieben. "Das Jüngste Gericht". Holzschnitt. Aus: Hartmann Schedel, Liber chronicarum (Weltchronik), Nürnberg (Anton Koberger) 1493. Spätere Kolorierung.

alb1980529 Transit of the Virgin, by Michael Wolgemut (1434-1519). Location: Rome, Museo Di Palazzo Venezia (Palazzo Venezia Museum).

alb5148036 Anton Koberger, Wilhelm Pleydenwurff, Hartmann Schedel, Michael Wolgemut, Schedel's World Chronicle, paper, woodcut, Total: Height: 44,00 cm; Width: 32,00 cm; Depth: 8,50 cm, printed matter, town, city view (veduta), city maps, Renaissance, A highlight in book illustration on the threshold between the Middle Ages and modern times is the so-called Schedel's World Chronicle. The Nuremberg city physician and humanist Hartmann Schedel published a Latin and a German edition of his chronicle in 1493. The voluminous book is equipped with numerous woodcuts: On more than 600 pages, there are over 1,800 illustrations, which were created by Michael Wolgemut and his stepson Wilhelm Pleydenwurff. The chronicle is an atlas, lexicon and history book in one. On display are maps, portraits and family trees, coats of arms, wonders and legendary figures. The book illustrates the course of time with pictures of famous people and places. Some cities are shown for the first time in reproduction graphics. However, only some of these famous city views are authentic, others are highly typified, some woodcuts are even used for different cities. Schedel's World Chronicle can be understood as an ambitious attempt to capture the course of the world between two book covers. Following a traditional scheme, the chronicle is divided into seven world ages and unfolds the sequence of times from the biblical story of creation to the Last Judgement. However, it is not only based on the Bible, but also on insights from antiquity and views of the emerging humanism. The World Chronicle thus shows a picture of the world and of history in a state of upheaval, which still oscillates between faith, superstition and knowledge.

akg174323 Wolgemut, Michael. 1434-1519. "Portrait of Ursula Tucher", 1478. On limewood, 29 × 22.6cm. Kassel, Staatliche Kunstsammlungen. Museum: Kassel, Staatliche Kunstsammlungen.

alb3907290 The Expulsion from Paradise. Date/Period: 1493. Woodcut on laid paper. Width: 32.1 cm. Height: 47 cm (sheet). Author: MICHAEL WOLGEMUT.

alb9513197 Judith and Holofernes, 1493, Michael Wolgemut, German, 1434/37 - 1519, 7 3/16 x 14 1/8 in. (18.26 x 35.88 cm) (image), Woodcut, Germany, 15th century, Early on, Judith was a hero, the resourceful widow who saved her people by decapitating the Assyrian general Holofernes. In the 12th-century Speculum Virginum she symbolized the triumph of humility over pride; in other handbooks she prefigured the Virgin Mary. Yet in the late 15th century, Judith became a femme fatale.

alb9441841 The Nuremberg Chronicle, first Latin edition, 1493, Michael Wolgemut; Artist: Wilhelm Pleydenwurff; Author: Hartmann Schedel; Printer: Anton Koberger, German, 1434/37 - 1519, 17 5/8 x 12 3/8 x 3 1/4in. (44.8 x 31.4 x 8.3cm), Woodcuts and letterpress; bound volume, Germany, 15th century, At the end of the 15th century, the new industry of book printing reached its zenith in Nuremberg, Germany. This book, which was written by Dr. Hartmann Schedel, recounts the history of the world from Creation to the early 1490s with lessons in religion and geography intermingled with unusual and interesting facts and phenomena. The expensive enterprise was funded by Sebald Schreyer and S. Kammermeister, who hired Anton Koberg's firm to print it. Koberg operated twenty-four presses and printed 1,500 copies of the book in Latin and an additional 1,000 copies in German. The copy on display is from the first Latin edition. This edition was more carefully laid out and printed because it appealed to a more learned audience. The Chronicle contains 1809 prints taken from 645 actual woodcuts, resulting in 1164 repetitions. The woodcuts were created in the workshop of Michael Wohlgemut, who was assisted by his stepson Wilhelm Pleydenwurff. In addition to his work on the Chronicle, Wohlgemut is famous as the instructor of Albrecht Dürer, who some scholars believe contributed several images to this book.

alb9394899 Fall of the Antichrist, Liber Chronicarum (series title), The Fall of the Antichrist. On the left, the Antichrist tempts the people. He is whispered into the ear by the devil. On the right, two men give their testimony from a pulpit. The hill in the middle is the Mount of Olives. Above it, the Antichrist is being pulled by devils toward hell. Archangel Michael is depicted holding a sword. The print is part of an album., print maker: Michel Wolgemut, (workshop of), print maker: Wilhelm Pleydenwurff, (workshop of), Neurenberg, 1493, paper, letterpress printing, height 363 mm × width 227 mm.

alb9358057 Nuremberg Chronicle, Hartmann Schedel, German, 14401514, Michael Wolgemut, German, 14341519, Wilhelm Pleydenwurff, German, c.14581494, Anton Koberger, German, c.14451513, 1493, Book with woodcut illustrations, Made in Nuremberg, Bavaria, Germany, Europe, Nuremberg, Bavaria, Germany, Europe, Books & manuscripts, 20 x 14 x 6 in. (50.8 x 35.6 x 15.2 cm).

alb3712983 Der Schatzbehalter oder Schrein der waren Reichtümer des Heils und ewige Seligkeit. Dated: 1491. Dimensions: book: 35.5 x 24.8 x 8 cm (14 x 9 3/4 x 3 1/8 in.). Medium: bound volume with 96 full page hand-colored woodcuts from 91 blocks. Museum: National Gallery of Art, Washington DC. Author: Stephan Fridolin, (author), Michael Wolgemut, and Wilhelm Pleydenwurff.

alb4131403 Image of Death (Imago Mortis), from the Nuremberg Chronicle. Michael Wolgemut and Workshop; German, 1434-1519. Date: 1488-1498. Dimensions: 194 x 225 mm (block); 445 x 308 mm (sheet). Woodcut in black hand colored with brush, stencil and watercolor on cream laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

akg142185 Wolgemut, Michael (formerly spelt Wohlgemuth), 1434 - 1519), German painter and printmaker. Moses draws water from the rocks. Woodcut. Folio 38 from: Schatzbehalter oder schrein der waren reichtuemer des heils (...), Nuremberg (Anton Koberger) 1491.

akg142215 Wolgemut, Michael (formerly spelt Wohlgemuth), 1434 - 1519), German painter and printmaker. The Promise to Abraham that he will become the father of many peoples. (Genesis 15,5). Woodcut. Folio 5 from: Schatzbehalter oder schrein der waren reichtuemer des heils (...), Nuremberg (Anton Koberger) 1491.

akg583048 Druckgraphik, Nürnberg (Michael Wolgemut und Wilhelm Pleydenwurff), 1493. Bau der Arche Noah. Holzschnitt, koloriert. Blattgröße 32,5 × 23,5 cm. Bildgröße 19,3 × 22,5 cm. Aus: Hartmann Schedel, Liber chronicarum (Weltchronik), Nürnberg (Anton Koberger) 1493, Blatt 11. Privatsammlung. Museum: PRIVATE COLLECTION.

akg044124 Woodcut, Nuremberg, 1493, by Michael Wolgemut or H.Pleydenwurff). The building of Noah's Ark. Woodcut, coloured. From: Hartmann Schedel, Liber Chronicarum, Nuremberg, (A.Koberger), 1493. Author: MICHAEL WOLGEMUT. HANS PLEYDENWURFF.

akg142155 Wolgemut, Michael (formerly spelt Wohlgemuth), 1434 - 1519), German painter and printmaker. Joseph sold into slavery. Woodcut. From: Schatzbehalter oder schrein der waren reichtümer des heils (...), Nuremberg (Anton Koberger) 1491.

akg142162 Wolgemut, Michael (formerly spelt Wohlgemuth), 1434 - 1519), German painter and printmaker. Samson's revenge and death. Woodcut. Folio 22 from: Schatzbehalter oder schrein der waren reichtümer des heils (...), Nuremberg (Anton Koberger) 1491.

akg142159 Wolgemut, Michael (formerly spelt Wohlgemuth), 1434 - 1519), German painter and printmaker. Abraham and the three angles. Woodcut. Folio 17 from: Schatzbehalter oder schrein der waren reichtümer des heils (...), Nuremberg (Anton Koberger) 1491.

akg142160 Wolgemut, Michael (formerly spelt Wohlgemuth), 1434 - 1519), German painter and printmaker. The sacrifice of Isaac. Woodcut. Folio 18 from: Schatzbehalter oder schrein der waren reichtümer des heils (...), Nuremberg (Anton Koberger) 1491.

akg142161 Wolgemut, Michael (formerly spelt Wohlgemuth), 1434 - 1519), German painter and printmaker. Samson and the gate of Gaza. Woodcut. Folio 21 from: Schatzbehalter oder schrein der waren reichtümer des heils (...), Nuremberg (Anton Koberger) 1491.

akg142221 Wolgemut, Michael (formerly spelt Wohlgemuth), 1434 - 1519), German painter and printmaker (Richter 11, 38). Jephthah and his daughter. Woodcut. Folio 19 from: Schatzbehalter oder schrein der waren reichtümer des heils (...), Nuremberg (Anton Koberger) 1491.

akg142218 Wolgemut, Michael (formerly spelt Wohlgemuth), 1434 - 1519), German painter and printmaker. Daniel's vision of the four beasts (Daniel 7,1-28). Woodcut. Folio 7 from: Schatzbehalter oder schrein der waren reichtümer des heils (...), Nuremberg (Anton Koberger) 1491.

akg142222 Wolgemut, Michael (formerly spelt Wohlgemuth), 1434 - 1519), German painter and printmaker. Jephthah sacrificing his daughter. Woodcut. Folio 20 from: Schatzbehalter oder schrein der waren reichtümer des heils (...), Nuremberg (Anton Koberger) 1491.

akg142220 Wolgemut, Michael (formerly spelt Wohlgemuth), 1434 - 1519), German painter and printmaker. Daniel in the lion's den. Woodcut. Folio 8 from: Schatzbehalter oder schrein der waren reichtümer des heils (...), Nuremberg (Anton Koberger) 1491.

akg142210 Wolgemut, Michael (formerly spelt Wohlgemuth), 1434 - 1519), German painter and printmaker. Creation of Eve / The fall of man. Woodcut. Folio 4 from: Schatzbehalter oder schrein der waren reichtümer des heils (...), Nuremberg (Anton Koberger) 1491.

akg142216 Wolgemut, Michael (formerly spelt Wohlgemuth), 1434 - 1519), German painter and printmaker. Jospeh leading his father Jacob before the pharaoh. Woodcut. Folio 6 from: Schatzbehalter oder schrein der waren reichtümer des heils (...), Nuremberg (Anton Koberger) 1491.

alb3623548 Der Schatzbehalter oder Schrein der waren reichtümer des heils unnd ewyger seligkeit. Artist: Michael Wolgemut (German, Nuremberg 1434-1519 Nuremberg). Author: Written by Stephan Pater. Dimensions: 12 15/16 x 9 1/16 x 2 3/8 in. (32.8 x 23 x 6.1 cm). Printer: Printed by Anton Koberger (German, Nuremberg ca. 1445-1513 Nuremberg). Date: 1491. Museum: Metropolitan Museum of Art, New York, USA. Author: MICHAEL WOLGEMUT.

akg814158 Wolgemut, Michael 1434-1519. "Auferstehung Christi", 1465. (Resurrection of Christ). On wood, 177 x 112 cm. Panel from the Altarpiece of St. Michealis church in Hof. Museum: Alte Pinakothek., MUNICH.

akg582993 Druckgraphik, Nürnberg (Michael Wolgemut und Wilhelm Pleydenwurff), 1493. Lot flieht aus Sodom. Holzschnitt, koloriert. Blattgröße 32,5 × 23,5 cm. Aus: Hartmann Schedel, Liber chronicarum (Weltchronik), Nürnberg (Anton Koberger) 1493, Blatt XXI. Privatsammlung. Museum: PRIVATE COLLECTION.

akg3028014 Wolgemut, Michael (formerly spelt Wohlgemuth), 1434 - 1519, German painter and printmaker. "The birth of Christ", before 1479. Pen and ink heightened with red, 42.4 x 31.8 cm. Presentation drawing for the Zwickau Altar. Inv. no.OP 6528. State Hermitage Museum, St Petersburg, Russia. Museum: St. Petersburg, Staatliche Ermitage.

akg3920680 Druckgrafik, Nürnberg 1493, Michael Wolgemut (1434-1519 und Wilhelm Pleydenwurff (1460-1494). - Das Jüngste Gericht. - Holzschnitt, teilkoloriert, 26,5 x 22,8 cm. Aus: Hartmann Schedel, Liber chronicarum (Schedel'sche Weltchronik), Nürnberg (Anton Koberger) 1493. Privatsammlung. Museum: PRIVATE COLLECTION.

akg1003142 Religion / Christianity. Nuremberg, 1493. St Augustine. Woodcut, coloured later. From: Nuremberg Chronicle (Hartmann Schedel, Liber chronicarum (Weltchronik), Nuremberg (Anton Koberger) 1493.

akg142178 Wolgemut, Michael (formerly spelt Wohlgemuth), 1434 - 1519), German painter and printmaker. Annunciation of the Virgin Mary. Woodcut. Folio 25 from: Schatzbehalter oder Schrein der waren reichtümer des heils (...), Nuremberg (Anton Koberger) 1491.

akg142230 Wolgemut, Michael (formerly spelt Wohlgemuth), 1434 - 1519), German painter and printmaker. Joshua and the captain of the Lord's army / God's call to Moses. Woodcut. Folio 66 from: Schatzbehalter oder schrein der waren reichtümer des heils (...), Nuremberg (Anton Koberger) 1491.

alb8369310 Ordo templatorum from Liber Chronicarum. Museum: PRIVATE COLLECTION. Author: MICHAEL WOLGEMUT.

akg2162447 Wolgemuth, Michael; Painters and woodcutters; Nuremberg 1434 - ibid. 30.11.1519. "Portrait of the Nuremberg painter Michael Wolgemut". Painting, 1516, by Albrecht Dürer (1471-1528). On lime wood, 29.8 × 28.1 cm. Inv. No. Gm 885. Leaving the Bavarian State Paintings, Nuremberg, German National Museum. Museum: Nürnberg, Germanisches Nationalmuseum.

akg8856635 Art Allemand / 15e siècle. Wolgemut, Michael (1434-1519), peintre, dessinateur et graveur sur bois de la Renaissance allemande. "Nabuchodonosor conduisant Sédécias (ou Mathanias) dont il a crevé les yeux à Babylone", extrait du Liber Chronicarum (Chronique de Nuremberg) de Harrmann Schedel, Koberger, Nuremberg. Gravure sur bois, H. 14,2 × L. 22,5 cm. Inv. 962-5. Melbourne, National Gallery of Victoria.

akg8706275 Wolgemuth, Michael; Painter and woodcutter; Nuremberg 1434 - ibid. 30.11.1519. "Portrait of the Nuremberg painter Michael Wolgemut". Painting, 1516, by Albrecht Dürer (1471-1528). linden wood, 29.8 × 28.1cm. Inv. Nr. Gm 885. / As a loan of the Bayerischen Staatsgemäldesammlungen. Nuremberg, German National Museum.

akg8706272 Michael Wolgemut, 1434/37 - 1519. "The Virgin and Child with St. Anne,", ca. 1509. Memorial picture for Anna Groß, died 1509. Donated by the mayor of Nuremberg, Nikolaus Groß, for his wife. Painting on pine wood, 136 × 90.5 cm. Inv. No. Gm161. Nuremberg, German National Museum.

akg8449428 Michael Wolgemut. Der Schatzbehalter: Moses Found by Pharaoh's Daughter (recto); Der Schatzbehalter: Christ before Caiaphas (verso), 1491. Print, Woodcut. Inv. No. 1929.60, Cleveland, Museum of Art.

akg009805 Otto I (the Great), Emperor. 23.11.912 - Memleben 7.5.973. Idealised portrait. Woodcut, coloured, by Michael Wolgemut (1434-1519). From: Hartmann Schedel, Liber chronicarum (Weltchronik), Nürnberg (A.Koberger) 1493. Berlin, Sammlung Archiv für Kunst und Geschichte.

alb4151037 Moses Found by Pharaoh's Daughter (recto) and Judas's Betrayal (verso), pages 53 and 54, from the Treasury (Schatzbehalter). Michael Wolgemut and Workshop (German, 1434/37-1519); published by Anton Koberger (German, 1440-1513). Date: 1491-1492. Dimensions: 250 x 175 mm (image/block, recto); 250 x 177 (image/block, verso); 335 x 230 mm (sheet). Woodcut on cream laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

akg8450919 Michael Wolgemut. Der Schatzbehalter: The Return of Tobias to Tobit; The Arrival of Tobias' Wife; The Angel Bringing Food and Drink to Elijah in the Desert, 1491. Print, Woodcut. Inv. No. 1925.806, Cleveland, Museum of Art.

akg8445705 Michael Wolgemut. Der Schatzbehalter, 1491. Print, Woodcut. Inv. No. 1975.260, Cleveland, Museum of Art.

akg8449425 Michael Wolgemut. Der Schatzbehalter: The Last Supper, 1491. Print, Woodcut. Inv. No. 1929.59, Cleveland, Museum of Art.

akg8449427 Michael Wolgemut. Der Schatzbehalter: Christ before Caiaphas (verso), 1491. Print, Woodcut. Inv. No. 1929.60. b, Cleveland, Museum of Art.

akg8449424 Michael Wolgemut. Der Schatzbehalter: The Trinity, 1491. Print, Woodcut. Inv. No. 1929.58, Cleveland, Museum of Art.

akg8449426 Michael Wolgemut. Der Schatzbehalter: Moses Found by Pharaoh's Daughter (recto), 1491. Print, Woodcut. Inv. No. 1929.60. a, Cleveland, Museum of Art.

akg8449395 Michael Wolgemut. Der Schatzbehalter: The Last Supper, 1491. Print, Color woodcut. Inv. No. 1928.765, Cleveland, Museum of Art.

akg8447200 Michael Wolgemut. Nuremberg Chronicle, 1493. Print, Woodcut. Inv. No. 1998.397, Cleveland, Museum of Art.

akg2086075 Wolgemuth, Michael; Maler und Holzschneider. Nürnberg 1434 - ebd. 30.11.1519. "Michael Wolgemut". Kreidelithographie von Maximilian Franck. (geb. um 1780). Aus der Serie: Deutsche Künstlergalerie, München 1813. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.

alb5513318 Genealogia divi heinrici imperatoris. The family tree of Emperor Henry II (from the Schedel's Chronicle of the World). Museum: PRIVATE COLLECTION. Author: MICHAEL WOLGEMUT.

alb5513272 De opere serte diei (from the Schedel's Chronicle of the World). Museum: PRIVATE COLLECTION. Author: MICHAEL WOLGEMUT.

alb5513061 Portrait of Michael Wolgemut (1434-1519). Museum: Germanisches Nationalmuseum, Nuremberg. Author: Albrecht Dürer.

alb5514033 De sanctificatione septime diei (from the Schedel's Chronicle of the World). Museum: PRIVATE COLLECTION. Author: MICHAEL WOLGEMUT.

alb4133627 The Stoning of Zacharias and Isaias, page 9 from the Treasury (Schatzbehalter). Michael Wolgemut and Workshop (German, 1434/37-1519); published by Anton Koberger (German, 1440-1513). Date: 1491. Dimensions: 250 x 173 mm. Woodcut on ivory laid paper with letterpress on verso. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

alb4131930 Christ Presented to the People, page 73 from the Treasury (Schatzbehalter). Michael Wolgemut and Workshop (German, 1434/37-1519); published by Anton Koberger (German, 1440-1513). Date: 1491. Dimensions: 250 x 176 mm (image/block/sheet); 442 x 300 (album sheet). Woodcut on cream laid paper with letterpress on verso, laid down on album page. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

alb4132924 Christ Crowned with Thorns, page 72 from the Treasury (Schatzbehalter). Michael Wolgemut and Workshop (German, 1434/37-1519); published by Anton Koberger (German, 1440-1513). Date: 1454-1519. Dimensions: 250 x 173 mm (image/block/sheet); 443 x 302 mm (album sheet). Woodcut on cream laid paper, with letterpress on verso, laid down on ivory wove album sheet. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

alb4132306 Christ Bearing the Cross, page 81, from the Treasury (Schatzbehalter). Michael Wolgemut and Workshop (German, 1434/37-1519); published by Anton Koberger (German, 1440-1513). Date: 1491. Dimensions: 247 x 175 mm (image/block/sheet); 446 x 300 mm (album sheet). Woodcut on cream laid paper, laid down on ivory wove album sheet. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

alb4133539 Christ Nailed to the Cross, page 85 from the Treasury (Schatzbehalter). Michael Wolgemut and Workshop (German, 1434/37-1519); published by Anton Koberger (German, 1440-1513). Date: 1491. Dimensions: 250 x 175 mm (image/block/sheet); 445 x 300 mm (album sheet). Woodcut on cream laid paper with letterpress on verso, laid down on ivory wove album sheet. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

alb4151003 The Virtues of Christ and the Wickedness of His Enemies Symbolized by Diverse Birds and Beasts (verso); The Last Supper (recto), pages 66 and 65 from the Treasury (Schatzbehalter). Michael Wolgemut and Workshop (German, 1434/37-1519); published by Anton Koberger (German, 1440-1513). Date: 1491. Dimensions: 253 x 177 mm (image/block, verso); 259 x 181 (sheet). Woodcut on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

alb4151043 The Baptism of Christ (verso); The Circumcision of Christ (recto), pages 34 and 33, from the Treasury (Schatzbehalter). Michael Wolgemut and Workshop (German, 1434/37-1519); published by Anton Koberger (German, 1440-1513). Date: 1491. Dimensions: 251 x 178 mm (image/block/sheet, verso and recto). Woodcut in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

alb4151040 Pharoah and His Host Perishing in the Red Sea (verso); The Freeing of King Joachim of Jerusalem (recto), pages 56 and 55, from the Treasury (Schatzbehalter). Michael Wolgemut and Workshop (German, 1434/37-1519); published by Anton Koberger (German, 1440-1513). Date: 1491. Dimensions: 252 x 180 mm (image/block, verso) 250 x 173 mm; (image/block, recto); 335 x 228 mm (sheet). Woodcut in black on cream laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

alb4151017 The Scourging of Christ (verso); The Israelites Enslaved in Egypt (recto), pages 70 and 69, from the Treasury (Schatzbehalter). Michael Wolgemut and Workshop (German, 1434/37-1519); published by Anton Koberger (German, 1440-1513). Date: 1491. Dimensions: 250 x 170 mm (image/block/sheet); 445 x 295 mm (album sheet). Woodcut on cream laid paper, laid down on ivory wove album sheet. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

alb4150980 The Fall of Lucifer and the Rebel Angels (verso); The Gathering of the Angels (recto), pages three and two from the Treasury (Schatzbehalter). Michael Wolgemut and Workshop (German, 1434/37-1519); published by Anton Koberger (German, 1440-1513). Date: 1491. Dimensions: 250 × 175 mm (image/block, recto and verso); 267 × 184 mm (sheet). Woodcuts on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

alb4151177 Geneva from Schedel Weltchronik (Schedel's World History), Plate 22 from Woodcuts from Books of the 15th Century. Michel Wolgemut (German, 1434/37-1519) and Wilhelm Pleydenwurff (German, c. 1460-1494); printed and published by Anton Koberger (German, c. 1440/45-1513); original text by Hartmann Schedel (German, 1440-1514); portfolio text by Wilhelm Ludwig Schreiber (German, 1855-1932). Date: 1493. Dimensions: 427 x 300 mm. Woodcut in black with hand-colored additions, and letterpress in black with rubrication (recto and verso), on buff laid paper, tipped onto cream wove paper mat. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA. Author: Michel Wolgemut.

akg583044 Thrace (Northern Greece). "Tracia". Woocut, coloured (after a drawing by Michael Wolgemut and Wilhelm Pleydenwurf). Sheet size 32.5 × 23.5 cm. Image size 23.1 × 22.3 cm. From: Hartmann Schedel, Liber chronicarum (World chronicle), Nuremberg Anton Koberger), 1493. Private Collection. Museum: PRIVATE COLLECTION. Author: MICHAEL WOLGEMUT. Wilhelm Pleydenwurff.

alb1460946 The Dance of Death (1493) by Michael Wolgemut, from the Liber chronicarum by Hartmann Schedel. Engraving.

alb1460688 'La Danza de la Muerte' (1493). Ilustración realizada por el pintor y grabador alemán Michael Wolgemut (1434-1519) para la 'Crónica de Nuremberg' (conocida también como 'Historia mundi' o 'Liber chronicarum'), obra del humanista alemán Hartmann Schedel (1440-1514). Grabado.

alb3653880 Registrum huius Operis libri cronicarum cum figuris et ymagibus ab inicio mundi. Artist: Michael Wolgemut (German, Nuremberg 1434-1519 Nuremberg); Wilhelm Pleydenwurff (German, Nuremberg ca. 1460-1494 Nuremberg). Author: Hartmann Schedel (German, Nuremberg 1440-1514 Nuremberg). Dimensions: Closed: 18 11/16 × 14 × 3 7/16 in. (47.5 × 35.5 × 8.7 cm)Open on cradle: 6 3/4 × 26 1/4 × 18 15/16 in. (17.1 × 66.7 × 48.1 cm)Sheet (Page size): 18 1/8 × 12 3/8 in. (46 × 31.4 cm). Published in: Nuremberg. Publisher: Anton Koberger (German, Nuremberg ca. 1445-1513 Nuremberg). Date: July 12, 1493.The Liber Chronicarum, more commonly known as the Nuremberg Chronicle, was the most profusely illustrated book of the 15th century. Two Nuremberg artists, Michael Wolgemut and Wilhelm Pleydenwurff, collaborated on the publication with author Hartmann Schedel. The most influential images in the book were the 53 views of cities and countries in Europe and around the Mediterranean. Drawings of the actual sites were used whenever possible, but in many instances the artists invented views that were reused to represent various different cities. The author undoubtedly knew the French city of Strasbourg (Argentina, in Latin). The splendid depiction here barely fits on the double-page spread; the block of text above has had to make way for the cathedral's protruding steeple. Museum: Metropolitan Museum of Art, New York, USA.

dpa7367551 (dpa) - Sophia Fraenkly hangs up copper engravings of Albrecht Duerer in the Albrecht-Duerer-House in Nuremberg, Germany, 4 April 2003. This year marks the 475th anniversary of German artist Albrecht Duerer. He was born the third child of 18 brothers and sisters on 21 May 1471 in the Imperial Free City of Nuremberg (now in Germany). After finishing his apprenticeship to become a goldsmith at his father's goldsmith's shop in 1486 he started an education with the painter Michael Wolgemut, wandering to Freiburg, Strasbourg, Colmar and Basel from 1490 to 1494. Upon his return, he settled down in Nuremberg, married, and opened his own workshop. His vast body of work includes altarpieces and religious works, numerous portraits and self-portraits and copper engravings. He died on 6 April 1528 in Nuremberg.

dpa7378973 (dpa) - A view of the Albrecht Duerer memorial, which was cast after a model by Christian Daniel Rauch in 1840, in Nuremberg, Germany, 4 April 2003. This year marks the 475th anniversary of German artist Albrecht Duerer. He was born the third child of 18 brothers and sisters on 21 May 1471 in the Imperial Free City of Nuremberg (now in Germany). After finishing his apprenticeship to become a goldsmith at his father's goldsmith's shop in 1486 he started an education with the painter Michael Wolgemut, wandering to Freiburg, Strasbourg, Colmar and Basel from 1490 to 1494. Upon his return, he settled down in Nuremberg, married, and opened his own workshop. His vast body of work includes altarpieces and religious works, numerous portraits and self-portraits and copper engravings. He died on 6 April 1528 in Nuremberg.

dpa7366976 (dpa) - The grave of German artist Albrecht Duerer on the Johannis cemetery in Nuremberg, Germany, 3 April 2003. The Latin engraving, written by his friend Pirckheimer, reads: 'What had been mortal of Albrecht Duerer, lies under this stone'. This year marks the 475th anniversary of German artist Albrecht Duerer. He was born the third child of 18 brothers and sisters on 21 May 1471 in the Imperial Free City of Nuremberg (now in Germany). After finishing his apprenticeship to become a goldsmith at his father's goldsmith's shop in 1486 he started an education with the painter Michael Wolgemut, wandering to Freiburg, Strasbourg, Colmar and Basel from 1490 to 1494. Upon his return, he settled down in Nuremberg, married, and opened his own workshop. His vast body of work includes altarpieces and religious works, numerous portraits and self-portraits and copper engravings. He died on 6 April 1528 in Nuremberg.